My recollections of childhood always associate the familiar daisy with
the dizzy days of high summer, sprawled on the lawn with a book or engaged in
idle conversation with friends on the short turf of a school playing field. I
think that it is because of the strength of this association within the brief
but vivid memories of childhood, that I am always a little surprised to see
daisies in flower now, at the transition from winter into spring. Yet the
association of the daisy Bellis perennis
with spring is one that is enshrined in folk tradition. An old country saying,
of which there are several variants, has it that spring has not truly arrived
until you can cover seven daisy flowers with your foot; in some parts of the
country the figure is nine not seven, in others it is 12.
Writing in Flora Britannica, Richard Mabey reflects that there is
scarcely a day during the year when there is not a daisy in flower somewhere
within the country, something he further supports by drawing upon the journal
of John Clare, the poet. Clare, writing in 1824, notes how he collected a
handful of daisies in full bloom on Christmas Day.
The daisy is one of our most familiar flowers and is probably one that
any child, no matter how removed from nature, would recognise and could quite
possibly name. Yet it is an unassuming plant; the flowers, while botanically
complex, appear structurally simple and it never attains a size that might
intrude upon the gaze of the casual observer, glancing across the short green
turf of a formal lawn. Each flower, with its bright yellow central disc around
which are arranged the white petals, stands on a stalk just four inches or less
in height, emerging from a rosette of flat and fuzzy leaves. Being small has
its advantages but the plant is easily out competed by taller species and so
does best where grazing or lack of nutrients favours a short sward.
It is thought that the name ‘daisy’ derives from the Anglo-Saxon
‘daeges-eage’ – the ‘eye of day’, a name suggestive of the opening of the
flowers at dawn and their closure again at the end of the day. The petals that
close about the golden orb at the day’s end feature in folklore, most commonly
in a form of divination whereby a young girl wanting to know if her love is
requited will pluck the petals one by one with the words ‘he loves me, he loves
me not’. This too, holds childhood memories of a bashful youth and childhood
games that broke down the barriers between the fair girls and us boys.
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